Skip to main content

SONNY DAZE (F1)

 

F1

Ever wondered what 'Top Gun' on wheels might be like?

'Top Gun: Maverick' director Joseph Kosinski answers that question with 'F1' - a blockbuster hit in cinemas last summer which has made this year's Best Picture Oscar shortlist.

Costing somewhere in the region of $200-300 million, it's a sleek, petrol fumed tale of Formula One drivers in an underdog team trying to make their mark in the sport.

At its core is Brad Pitt's Sonny Hayes, a former F1 prodigy in the autumn of his career, eking out a living at Daytona and other US race tracks.

Sonny is wooed back into Formula One racing 30 years after a career ending crash at the Spanish Grand Prix by Javier Bardem's friend and former Lotus teammate turned team owner, Ruben Cervantes.

Ruben wants Sonny to join his struggling APXGP team as the second driver to help Damson Idris' up and coming star Joshua Pearce win one Grand Prix race.

Failure to achieve that goal will result in APXGP's investors pulling out of the team, with Tobias Menzies' board member menacingly hanging around each race like a vulture.

The problem is Sonny is a bit of a maverick who likes to take chances on the track.

He also has a personality clash with Joshua who he regards as a bit of a show pony - behaving like a top F1 star but with no results to back it all up.

Sonny's unorthodox behaviour on the track also unnerves the team principal, Kim Bodnia's Kaspar Smolinski and Kerry Condon's technical director Kate McKenna who realises a lot of APXGP's troubles are just down to personality.

As Kate tries to get Joshua and Sonny to gel, she also grows close to the American driver.

But with someone within the team also undermining their chances, can Sonny, Joshua and APXGP still win a race against all odds?

As you would expect from the director of 'Top Gun: Maverick,' 'F1' is a technically superb, rollicking blockbuster that moves along at just the right pace as it charts the ups and downs of Ruben's team.

Some may quibble that the story is a bit too slight to be on the Academy Awards' Best Picture shortlist but it's certainly a slickly made, brash crowd pleaser that stakes a lot of its credibility on its authenticity.

Working from an Ehren Kruger screenplay, Kosinski uses real F1 venues like Silverstone, Monza, Zandvoort, Las Vegas, Brands Hatch and Suzuka for its thrilling race sequences.

Major names in the sport like Lewis Hamilton, Max Verstappen, Oscar Piastri, Nyck De Vries and Lando Norris appear as themselves, directly competing against Pitt and Idris' characters.

Sky Sports commentators Martin Brundle and David Croft lend their voices to the race scenes and there are cameos by CEOs of F1 teams, other motorsport presenters like Natalie Pinkham, Will Buston and Rachel Brookes, the Dutch DJ Tiësto and the social media influencers, Simon Minto and Sabrina Bahsoon.

Essentially a big showcase for the sport, it's a thrilling enough ride and never dull.

In the lead role, Pitt brings a muscular Steve McQueen like presence to the movie.

Condon, Bodnia, Bardem and Menzies are good value in the supporting roles - with the Irish actress bringing a Maureen O'Hara like feistiness to her part.

Idris delivers plenty of swagger, with Sansom Kayo providing comic relief as Joshua's cousin and manager and Sarah Niles solid as his mother, Bernadette.

Nominated for four Oscars including Film Editing and Visual Effects, Kosinski's film is fancied to win Best Sound and deservedly so.

But it could well take the chequered flag in those other two categories.

However with a box office take of over $633 million and still counting, 'F1' has already triumphed.

Taking home an Oscar or two will just be icing on a very rich cake.

('F1' was released in UK and Irish cinemas on June 25, 2025)

Comments

Popular posts from this blog

HOUSE OF FUN (LOL: LAST ONE LAUGHING IRELAND)

© Amazon Prime Ever wondered what the 'Big Brother' house would have been like if it was populated just by comedians? No?  Neither had I. But Amazon Prime has tried to answer that question anyway with a new comedy show 'LOL: Last One Laughing Ireland'. © Amazon Prime Originally conceived by the Japanese comic Hitoshi Matsumoyo in 2016, the show throws 10 stand-ups together in a 'Big Brother' style living room for six hours with the strict instruction that they are not allowed to laugh, crack a smile or smirk at each other's jokes or anything else. If they do, the first time they falter they get a yellow card warning. The second time, they receive a red card and are out of the game. The comedian who outlasts the others wins. © Amazon Prime Versions have been produced in Mexico, Italy, Iran, Australia, Canada, Germany, India, Russia, Nigeria, Colombia and France. And with a UK version reportedly in the works, Amazon has decided to test the waters with an Irish...

BEING FRANK (THE NAKED GUN)

  THE NAKED GUN We all know Liam Neeson can do comedy. We've seen him do it before in small doses. The Northern Irish actor  had the best moment in Ricky Gervais' BBC sitcom 'Life's Too Short'  with his improv sketch. Then there was in  the cereal scene in Seth MacFarlane's 'Ted 2' . There have also been chances to test his comic chops in 'Derry Girls, '  on Stephen Colbert's chat show  and as  Good Cop/Bad Cop in 'The Lego Movie' . But can he carry a whole comic movie? Neeson gets the chance to find that out in Akiva Schaffer's 'The Naked Gun' - a reboot of  David Zucker's 1988 comedy classic with Leslie Nielsen, Priscilla Presley, George Kennedy and OJ Simpson . Produced by Seth MacFarlane and Erica Huggins and working from a script by Schaffer, Dan Gregor and Doug Mend, Neeson has a very high bar to clear - playing the son of Nielsen's bungling detective Frank Drebin. Like Frank Snr, Neeson's Frank Jr is an ...

LAST ONE STANDING (TRUELOVE)

© Channel 4 & Clerkenwell Films Channel 4 drama at its very best is edgy. Its finest miniseries are not afraid to tackle big issues or whip up controversy. Think Alan Bleasdale's ' GBH ,' Simon Moore's ' Traffik ,' Alan Plater and Chris Mullin's ' A Very British Coup ,' Jack Thorne's ' National Treasure ,' Dominic Savage's ' I Am ..' dramas,  Shane Meadows' ' The Virtues ' or Russell T Davies' ' It's A Sin .' These have tackled everything from the international drug trade to homophobia and AIDS, from sexual abuse to manipulation of the left wing. © Channel 4 & Clerkenwell Films 2024 has begun with another Channel 4, drama taking on a huge issue - assisted dying and the treatment of senior citizens. 'Truelove' is the creation of 'End of the F**king World' writer Charlie Lovell and Iain Wetherby and it raises uncomfortable questions. The six part miniseries begins with five fri...