WUTHERING HEIGHTS (2026) Some films generate their own atmosphere. ' The Full Monty ' was one such movie that created a frisson of excitement in cinemas before the rolling of the opening credits. ' Titanic ' achieved it too, as did ' Calendar Girls ,' ' Top Gun: Maverick ' and ' Barbie '. They were films that became more than films because their screenings were events. Sitting in Dublin's Savoy Cinema the night before Valentine's Day, it's clear Emerald Fennell's 'Wuthering Heights' is that kind of movie. It's been a while since we've heard excited chatter in a cinema resembling the sound of the women attending the stoning in 'Monty Python's The Life of Brian' . Yet here we are and it's oddly appropriate for a film that begins with a crowd relishing the spectacle of a public hanging. Fennell, who has written and directed what may possibly be the 17th movie version of Emily Brontë's novel, very ...
H IS FOR HAWK No sooner have we been applauding one movie that tackles grief , another comes along and blows you away Just like 'Hamnet,' Philippa Lowthorpe's 'H is for Hawk' is a gripping watch. An adaptation of naturalist Helen MacDonald's prizewinning 2014 memoir about how training a goshawk helped her process the shocking death of her father, it's a piercingly honest meditation on life and loss and the wonder of nature. Adapted for the screen by the Irish novelist Emma Donoghue, it stars Claire Foy as the Cambridge academic whose love of birds was instilled at an early age by her dad, Brendan Gleeson's Alisdair, an accomplished press photographer. Plunged into grief when Alisdair dies from a heart attack at the age of 71, Helen rapidly becomes obsessed with the notion of raising a goshawk despite never having trained a bird of that size. With the help of Sam Spruell's falconer Stuart, she sources a bird and drives to Stranraer with her Austra...