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  PEAKY BLINDERS: THE IMMORTAL MAN ' Peaky Blinders ' was a strange TV phenomenon. Deeply loved by its fans across the world, the stylish English gangster series was undoubtedly full of working class swagger. Very cinematic, it drew a cast most series would have died for and had some powerful TV moments. Yet Steven Knight's Brummie gangster show also lacked consistency and often tied itself up in knots with convoluted plots. Now it's back with another outing for Cillian Murphy's haunted Romany Gypsy mob boss Tommy Shelby in a typically star studded Netflix movie. With Knight back on board as the writer and Tom Harper in the director's chair, 'Peaky Blinders: The Immortal Man' is set  seven years after Shelby tried to stop the rise of British fascism . Britain is at war with the Nazis in 1940, with Luftwaffe bombers decimating cities from the skies. In addition to taking lives, the Nazis are producing counterfeit pound notes in Germany to flood and weaken...

  SATURDAY NIGHT LIVE UK - OPENING SHOW 'Saturday Night Live' is an American comedy institution. It's turbo boosted the careers of many of performers and writers from Chevvy Chase to Kate McKinnon, Larry David to Conan O'Brien, Eddie Murphy to Seth Meyers. So you can kind of understand why Lorne Michaels, its legendary executive producer, has decided to stick to a successful formula when creating a British franchise version for Sky One. But given Britain has a long and proud tradition of acerbic satirical humour, surely something's gotta give and it doesn't have to stick rigidly to the old 'SNL' formula? 'Saturday Night Live UK' landed on Sky One looking like the American version, sounding like the American version and pretty much waddling like the American version. The opening credits of various members of the cast on the streets of London was a direct recreation of the US show. The set was an exact replica. The trademark opening monologue, Week...

  OSCARS 2026: THE RESULTS It had been billed as the tightest Oscars race in years. In the end, the statuettes largely went to the movies tipped to win at the start of this year's race - with one or two exceptions. 2026 will be remembered, though, as a year of a straight fight in many categories between Paul Thomas Anderson's Trump era epic 'One Battle After Another' and Ryan Coogler's vampire box office sensation 'Sinners'. Both would have been worthy winners of Best Picture and they ended up taking away a range of statuettes. However the Academy made the decision to reward Anderson with the big prizes and you suspect that wasn't just for his dazzling film but for a career packed full of dazzling films. An early indicator that 'One Battle After Another' was going to edge out 'Sinners' came when Cassandra Kulukundis took the first ever Oscar for Best Casting. 'One Battle After Another' would go on to land five other awards for Bes...

  F1 Ever wondered what ' Top Gun ' on wheels might be like? ' Top Gun: Maverick ' director Joseph Kosinski answers that question with 'F1' - a blockbuster hit in cinemas last summer which has made this year's Best Picture Oscar shortlist. Costing somewhere in the region of $200-300 million, it's a sleek, petrol fumed tale of Formula One drivers in an underdog team trying to make their mark in the sport. At its core is Brad Pitt's Sonny Hayes, a former F1 prodigy in the autumn of his career, eking out a living at Daytona and other US race tracks. Sonny is wooed back into Formula One racing 30 years after a career ending crash at the Spanish Grand Prix by Javier Bardem's friend and former Lotus teammate turned team owner, Ruben Cervantes. Ruben wants Sonny to join his struggling APXGP team as the second driver to help Damson Idris' up and coming star Joshua Pearce win one Grand Prix race. Failure to achieve that goal will result in APXGP's...

  TWO PEOPLE EXCHANGING SALIVA Could a quirky black and white French short film about a dystopian world where kissing is outlawed win an Academy Award? It seems it could do, with directors Natalie Musteata and Alexandre Singh scooping up awards left, right and centre including at film festivals in San Francisco, the American Film Institute and Clermont Ferrand. The winner of the Cesar for Best Live Action Short, it stars Luana Bajrami as Malaise, a shop assistant in a luxury fashion store. In a society where goods are exchanged not for money but slaps across the face, Malaise finds a customer, Zar Amir Ebrahimi's Angine who keeps coming back to her and who she develops an attraction to. As Malaise delivers blows across Angine's face, her colleague Aurelie Boquien's Petulante bristles with envy as Angine was once a valued customer. Because kissing is outlawed, people live in fear as young women are seized off the streets by guards and are placed kicking and screaming into ta...

  OSCARS 2026: THE PREDICTIONS It seems odd to quote Weird Al Yankovic in an awards season piece but 2026's Academy Awards seems to be the year where critics are starting to believe: "Everything you know is wrong." In all but one of the major categories, pundits are struggling to identify a clear favourite. And we have to admit, Pomona is no exception. This could be thr year when this blog racks up its worst ever score in the Oscars predictions game. But hey, let's give it a go anyway. BEST PICTURE Bugonia F1 Guillermo del Toro's Frankenstein Hamnet Marty Supreme  One Battle After Another The Secret Agent Sentimental Value  Sinners  Train Dreams At the outset of this year's race, 2026 looked like the year the Academy would finally shower Paul Thomas Anderson with a host of statuettes. Anderson's mesmerising satirical action thriller ' One Battle After Another ' was an early favourite for Best Picture and it very much felt like a film with its finge...