It says an awful lot about an actor's contribution to a franchise that when he no longer appears in its movies, it leaves a gaping hole. But that is exactly what happened when Robert Duvall did not reprise the role of consigliere, Tom Hagen in Francis Coppola's 'The Godfather, Part III' in 1990. The reason he did not reappear was down to his salary - he was offered four times less than Al Pacino's. And while he was not looking for pay parity with Pacino but something recognising his importance to the story, Hagen was instead written out of the saga and was replaced by George Hamilton's character BJ Harrison. Audiences and critics agreed that was a mistake. Even when Coppola recut the film with the 2020 director's cut 'Godfather Part III: Coda - The Death of Michael Corleone,' while it attracted more favourable reviews than the original, Duvall's absence continued to haunt it. In a largely favourable review of the new version, Chicago Sun Times...
WUTHERING HEIGHTS (2026) Some films generate their own atmosphere. ' The Full Monty ' was one such movie that created a frisson of excitement in cinemas before the rolling of the opening credits. ' Titanic ' achieved it too, as did ' Calendar Girls ,' ' Top Gun: Maverick ' and ' Barbie '. They were films that became more than films because their screenings were events. Sitting in Dublin's Savoy Cinema the night before Valentine's Day, it's clear Emerald Fennell's 'Wuthering Heights' is that kind of movie. It's been a while since we've heard excited chatter in a cinema resembling the sound of the women attending the stoning in 'Monty Python's The Life of Brian' . Yet here we are and it's oddly appropriate for a film that begins with a crowd relishing the spectacle of a public hanging. Fennell, who has written and directed what may possibly be the 17th movie version of Emily Brontë's novel, very ...