Skip to main content

DEPARTURES AND ARRIVALS (OSCARS 2021 - THE RESULTS)

There were a few departures from tradition at the 2021 Oscars but this was another Academy Awards where the voters decided to spread the love. 

For the first and hopefully last Oscar ceremony of the Covid era, the biggest departure was the holding of the ceremony in a railway station.

However it was a night of only a few surprises.

Viewers may have been taken aback  that Best Picture was not the final award of the night.

That honour went to the Best Actor award and that did not go according to the form book.

Coming off the back of his recent BAFTA win, Anthony Hopkins won for his hugely respected performance as a man suffering from dementia in Florian Zeller's relationship drama 'The Father'.

The Welshman had seen some sentiment swing towards him in recent days following his BAFTA success. 

However the general consensus was that the Best Actor category was a lock for the late Chadwick Boseman for his final movie role in 'Ma Rainey's Black Bottom'.

After all, Boseman had won everything else during awards season.

The fact that Hopkins was not there to receive his Best Actor Oscar in person gave the last award of the night presented by Joaquin Phoenix a bit of an anti-climactic feeling.

Viewers had anticipated a huge celebration of Boseman's career but they did not even get the chance to hear an acceptance speech from the 83 year old Hopkins who has become the oldest winner of an acting category. 

What audiences did get was a very brief Best Actress acceptance speech from Frances McDormand during the penultimate award of the night, as she picked up an impressive third win in the category for her performance in 'Nomadland'.

It was a subdued acceptance speech, with her talking about how her voice and acting were her sword and then thanking Academy voters for recognising it.

Earlier, McDormand was a bit more unconventional, letting out a wolf howl while accepting the Best Picture statuette alongside Chloe Zhao for the film in a tribute to their sound mixer Stephen Wolf Snider who committed suicide this year.

As expected, Zhao also picked up the award for Best Director in a category announced by last year's winner Bong Joon-Ho from Seoul and she became the second woman ever to do so.

The director recalled a poem she and her dad used to memorise when she was growing up in China which noted: 'People at birth are inherently good'.

"I have always found goodness in the people I met," she observed.

"This is for anyone who has the faith and courage to hold onto the goodness in themselves."

In the other acting categories, the perpetually laid back Daniel Kaluuya completed a full set of awards season honours with a Best Supporting Actor victory for his superb performance as the Black Panther Party icon Fred Hampton in 'Judas and the Black Messiah'.

In one of the biggest talking points of the evening, the screen cut to the English actor's mum and sister reacting in consternation to his strange, rambling comment: "My mum and dad.. they had sex - and now I'm here!"

There was no doubt Kaluuya's win was one of the most popular of the evening, as was 73-year-old Yuh-Jung Youn's triumph in a hotly contested Best Supporting Actress category for her delightful performance as a mischievous Korean grandma in Lee Isaac Chung's 'Minari'.

The first Korean to capture an acting Oscar began her speech by gushing over meeting Brad Pitt, asking him where he was when they were filming 'Minari'.

In an amusing speech, she explained: "As you know, I’m from Korea and my name is Yuh-jung Youn. 

"Most European people call me Yuh-youn, and some of them call me Yuh-jung. But tonight, you are all forgiven.”

Her win meant Glenn Close again went home empty handed for the eighth time after her nod for 'Hillbilly Elegy' and now has the distinction of tying with Peter O'Toole as the person with the most Academy Award acting nominations and no wins.

As usual, the screenplay categories enabled the Academy to honour movies that were never going to win Best Picture.

Emerald Fennell walked away with the first prize of the night, the Best Original Screenplay statuette for 'Promising Young Woman,' while Christopher Hampton and Florian Zeller won the Adapted Screenplay gong for 'The Father'.

Thomas Vinterberg's Danish film 'Another Round' captured Best Foreign Language Feature, as expected.

Pete Docter's charming 'Soul' also walked away with two awards for Best Animated Feature and for Trent Reznor, Atticus Ross and Jon Batiste's musical score.

D'Mile, H.E.R. and Tiara Thomas' 'Fight for You' picked up Best Original Song for 'Judas and the Black Messiah'.

In the Best Documentary Feature category, James Reed and Pippa Erhlich's charming marine tale 'My Octopus Teacher' repeated its BAFTA win, while it was good to see Darius Marder's 'Sound of Metal' getting recognised with awards for its innovative use of sound and for film editing.

Erik Messerschmitt pulled off a bit of a surprise by winning the Best Cinematography award for his work on David Fincher's 'Mank' which many had assumed would go to 'Nomadland'.

'Mank' also captured the award for production design, while 'Ma Rainey's Black Bottom' took home statuettes for costume design and hair.

The only major contender that seemed to come away with nothing was Aaron Sorkin's Netflix film 'The Trial of the Chicago Seven'.

This year's ceremony was produced by Jesse Collins, Stacey Sher and the director Steven Soderbergh.

It began with a tracking shot of Regina King walking through Los Angeles' Union Station with the Best Original Screenplay statuette in a stylish title sequence.

Filmed like a movie, credits of the nominees and the awards presenters appeared onscreen like they would if they were the cast in the opening credits of a film.

But then the 2019 Supporting Actress winner walked onstage, clutching the first statuette of the night.

"Think of this as a movie set - an Oscars movie with over 200 nominees," she explained as she arrived onstage in the specially adapted train station.

However the shadow of the Coronavirus loomed, with King explaining in her introduction that all those taking part had been vaccinated, tested, re-tested, socially distanced and following all protocols to enable them to appear maskless. 

The week that was in it, King understandably referenced the conviction of Officer Derek Chauvin in Minneapolis for the murder of George Floyd - admitting had the verdict gone differently she would have "traded in my heels for marching boots".

After a bit of Hollywood glitz, the ceremony quickly settled down and was conducted in a business like fashion.

If this year's Oscars ceremony had been a movie, many critics would have complained that after a strong opening, it failed to live up to its premise and was a mixed bag.

Harrison Ford did provide a moment of levity as he read out some scathing reviews he received for his work on the science fiction classic 'Blade Runner'.

Working within a Covid restricted world, Soderbergh and his producers bravely played around with the format but their gamble of not having Best Picture as the last award of the night misfired.

They did not get the crescendo that many had anticipated in the Best Actor category and in hindsight they will probably have to admit that it was a gamble not worth taking.

Here's hoping we get a more traditional ceremony next year.


BEST PICTURE

Nominees: The Father; Judas and the Black Messiah; Mank; Minari; Nomadland; Promising Young Woman; Sound of Metal; The Trial of the Chicago Seven

Winner: Nomadland

BEST DIRECTOR.

Nominees: Thomas Vinterberg (Another Round); David Fincher (Mank); Lee Isaac Chung (Minari); Chloe Zhao (Nomadland); Emerald Fennell (Promising Young Woman)

Winner: Chloe Zhao (Nomadland)

BEST ACTRESS

Nominees: Viola Davis (Ma Rainey's Black Bottom): Andra Day (The United States versus Billie Holiday); Vanessa Kirby (Pieces of a Woman): Frances McDormand (Nomadland); Carey Mulligan (Promising Young Woman)

Winner: Frances McDormand (Nomadland)

BEST ACTOR

Nominees: Riz Ahmed (Sound of Metal); Chadwick Boseman (Ma Rainey's Black Bottom); Anthony Hopkins (The Father); Gary Oldman (Mank); Steve Yeun (Minari).

Winner: Anthony Hopkins (The Father)

BEST SUPPORTING ACTRESS

Nominees: Maria Bakalova (Borat Subsequent Moviefilm); Glenn Close (Hillbilly Elegy); Olivia Colman (The Father); Amanda Seyfried (Mank);  Yuh-jung Youn (Minari)

Winner: Yuh-jung Youn (Minari)

BEST SUPPORTING ACTOR.

Nominees: Sacha Baron Cohen ('The Trial of the Chicago Seven'); Daniel Kaluuya ('Judas and the Black Messiah'); Leslie Odom Jr ('One Night in Miami'); Paul Raci ('Sound of Metal'): Lakeith Stanfield ('Judas and the Black Messiah')

Winner: Daniel Kaluuya (Judas and the Black Messiah)

BEST FOREIGN LANGUAGE FEATURE

Nominees: Another Round (Denmark); Better Days (Hong Kong); Collective (Romania); The Man Who Sold His Skin (Bulgaria); Quo Vadis, Aida? (Bosnia Herzegovina)

Winner: Another Round

BEST ANIMATED FEATURE

Nominees: Onward; Over the Moon; A Shaun the Sheep Movie Farmageddon; Soul; Wolfwalkers.

Winner: Soul

BEST DOCUMENTARY FEATURE

Nominees: Collective; Crip Camp; The Mole Agent; My Octopus Teacher; Time

Winner: My Octopus Teacher

BEST CINEMATOGRAPHY

Nominees: Sean Bobbitt (Judas and the Black Messiah); Erik Messerschmitt (Mank); Dariusz Wolski (News of the World); Joshua James Richards (Nomadland); Phedon Papamichael (The Trial of the Chicago Seven)

Winner: Erik Messerschmitt (Mank)

BEST ORIGINAL SCREENPLAY

Nominees: Judas and the Black Messiah; Minari; Promising Young Woman; Sound of Metal; The Trial of the Chicago Seven

Winner: Emerald Fennell (Promising Young Woman)

BEST ADAPTED SCREENPLAY

Nominees: Borat Subsequent Moviefilm; The Father; Nomadland; One Night in Miami; The White Tiger

Winner: Christopher Hampton and Florian Zeller (The Father)

BEST FILM EDITING

Nominees: The Father; Nomadland; Promising Young Woman; Sound of Metal; The Trial of the Chicago Seven

Winner: Sound of Metal 

BEST ORIGINAL MUSIC SCORE

Nominees: Terence Blanchard (Da 5 Bloods); Trent Reznor and Atticus Ross (Mank); Emile Mosseri (Minari); James Newton Howard (News of the World); Trent Reznor, Atticus Ross and Jon Batiste (Soul)

Winner: Trent Teznor, Atticus Ross and Jon Batiste (Soul)

BEST ORIGINAL SONG

Nominees: Fight for You (Judas and the Black Messiah); Hear My Voice (The Trial of the Chicago Seven); Húsavík (Eurovision Song Contest); Io Si - Seen (The Life Ahead); Speak Now (One Night in Miami)

Winner: Fight for You (Judas and the Black Messiah)

BEST SOUND

Nominees: Greyhound; Mank; News of the World; Soul; Sound of Metal

Winner: Sound of Metal

BEST PRODUCTION DESIGN

Nominees: The Father; Ma Rainey's Black Bottom; Mank; News of the World; Tenet

Winner: Mank

BEST VISUAL EFFECTS

Nominees: Love and Monsters; The Midnight Sky; Mulan; The One and Only Ivan; Tenet

Winner: Tenet

BEST COSTUME DESIGN

Nominees: Emma; Mank; Ma Rainey's Black Bottom; Mulan; PinnochioW

Winner: Ma Rainey's Black Bottom

BEST MAKE-UP AND HAIRSTYLING

Nominees: Emma; Hillbilly Elegy; Ma Rainey's Black Bottom; Mank; Pinocchio

Winner: Ma Rainey's Black Bottom

BEST LIVE ACTION SHORT

Nominees: Feeling Through; The Letter Room; The Present; Two Distant Strangers; White Eye

Winner: Two Distant Strangers


BEST ANIMATED SHORT

Nominees: Burrow; Genius Loci; If Anything Happens I Love You; Opera; Yes-People

Winner: If Anything Happens I Love You'

BEST DOCUMENTARY SHORT

Nominees: Colette; A Concerto Is A Conversation; Do Not Split; Hunger Ward; A Love Song for Latasha

Winner: Colette

Comments

Popular posts from this blog

A FAMILY DIVIDED (KIN, SEASON TWO)

© RTE & AMC+ Recently  in a review of 'The Dry' for the Slugger O'Toole website,  I wrote about it being a golden age for Irish TV drama. And it is. Last year saw Sharon Horgan's Irish Film and Television Award winning black comedy ' Bad Sisters ' delight audiences on Apple TV+. Fran Harris ' The Dry ' has made a bit of a splash on Britbox, RTE and ITVx. ©  RTE & AMC+ North of the border, Channel 4's ' Derry Girls ' and BBC Northern Ireland's 'Three Families' and ' Blue Lights ' have really impressed audiences. However over the past eight weeks, one show has muscled its way back to the front of the pack. 'Kin' is a gangland drama made by RTE and AMC. The first series hit our screens in September 2021 and made an immediate impression with its high production values and gripping storyline. © RTE & AMC+ The tale of a south Dublin crime family, the Kinsellas sucked into a feud with a more powerful gang hea

TWO SOULS COLLIDE (BALLYWALTER)

© Breakout Pictures & Elysian 'Ballywalter' isn't about Ballywalter. The Northern Irish coastal village simply provides a backdrop for director Prasanna Puranawajah and screenwriter Stacey Gregg's delicate tale of damaged souls coming into each other's orbit and helping each other cope. If anything, Belfast features more than Ballywalter in Puranawajah's movie but we know  that title was already taken . Seana Kerslake plays Eileen, a twentysomething university dropout who has gone off the rails and is back living with her mum, Abigail McGibbon's Jen. Taking on the job of a taxi driver, she has to endure the opinions of customers who don't think it's a job for a woman. © Breakout Pictures & Elysian Eileen doubles as a barista and can be pretty spiky with the customers in both jobs. Disillusioned and dejected, she hides behind drink as she struggles to come to terms with the death of her father, the sudden ending of a relationship with a cheati

FATHER TIME (FRASIER - REBOOT, SEASON ONE)

© Paramount+ & CBS Studios It's been one of the most eagerly anticipated shows of 2023. It's also been one of the year's most feared shows. 'Frasier' - The Reboot was always going to have huge expectations to live up to. For 11 seasons, the original show was a massive ratings draw on NBC in the US and on other TV stations around the world. © Paramount+ & CBS Studios Adored by critics as much as it was by audiences, the 'Cheers' spin-off built up a huge fanbase with a combination of smart writing and brilliant comedy acting. It netted an impressive haul of 37 Primetime Emmy awards. Even after the final episode aired in May 2004, the Seattle-based sitcom has remained a constant presence on our TV screens, with Channel 4 in the UK airing it every morning. So when it was announced in 2021 that Kelsey Grammer was reviving the sitcom, there was considerable joy in some quarters and trepidation in others. © Paramount+ & CBS Studios Many wondered how wou