Pomona for Facebook

  HOW TO GET TO HEAVEN FROM BELFAST We all need a laugh at this moment. Amid a barrage of depressing news stories around the fallout from the Epstein files, Russia's invasion of Ukraine, the destruction of Gaza, Iran's suppression of protesters, Trump's fractious relationship with America's old allies and January's record breaking rainfall, you can see why people just need a good sitcom or comedy drama. So does Lisa McGee's eagerly anticipated ' Derry Girls ' follow-up deliver those laughs? An ambitious comedy mystery caper, it certainly looks the part thanks to some superb visuals created by directors Michael Lennox, George Kane and Rachna Suri, cinematographers Ashley Barron, Nathalie Pitters and Daniel Stafford-Clark, production designer Tom Conroy, set decorator Valerie Nolan, costume designer Cathy Pryor and hair and make up supervisor Sharon Watson. But do the scripts have the substance to match?  'How To Get To Heaven From Belfast' centres...

   It says an awful lot about an actor's contribution to a franchise that when he no longer appears in its movies, it leaves a gaping hole. But that is exactly what happened when Robert Duvall did not reprise the role of consigliere, Tom Hagen in Francis Coppola's 'The Godfather, Part III' in 1990. The reason he did not reappear was down to his salary - he was offered four times less than Al Pacino's. And while he was not looking for pay parity with Pacino but something recognising his importance to the story, Hagen was instead written out of the saga and was replaced by George Hamilton's character BJ Harrison. Audiences and critics agreed that was a mistake. Even when Coppola recut the film with the 2020 director's cut 'Godfather Part III: Coda - The Death of Michael Corleone,' while it attracted more favourable reviews than the original, Duvall's absence continued to haunt it. In a largely favourable review of the new version, Chicago Sun Times...

WUTHERING HEIGHTS (2026) Some films generate their own atmosphere. ' The Full Monty ' was one such movie that created a frisson of excitement in cinemas before the rolling of the opening credits. ' Titanic ' achieved it too, as did ' Calendar Girls ,' ' Top Gun: Maverick ' and ' Barbie '. They were films that became more than films because their screenings were events. Sitting in Dublin's Savoy Cinema the night before Valentine's Day, it's clear Emerald Fennell's 'Wuthering Heights' is that kind of movie. It's been a while since we've heard excited chatter in a cinema resembling the sound of the women attending the  stoning in 'Monty Python's The Life of Brian' . Yet here we are and it's oddly appropriate for a film that begins with a crowd relishing the spectacle of a public hanging. Fennell, who has written and directed what may possibly be the 17th movie version of Emily Brontë's novel, very ...

  H IS FOR HAWK No sooner have we been applauding  one movie that tackles grief , another comes along and blows you away Just like 'Hamnet,' Philippa Lowthorpe's 'H is for Hawk' is a gripping watch. An adaptation of naturalist Helen MacDonald's prizewinning 2014 memoir about how training a goshawk helped her process the shocking death of her father, it's a piercingly honest meditation on life and loss and the wonder of nature.  Adapted for the screen by the Irish novelist Emma Donoghue, it stars Claire Foy as the Cambridge academic whose love of birds was instilled at an early age by her dad, Brendan Gleeson's Alisdair, an accomplished press photographer. Plunged into grief when Alisdair dies from a heart attack at the age of 71, Helen rapidly becomes obsessed with the notion of raising a goshawk despite never having trained a bird of that size. With the help of Sam Spruell's falconer Stuart, she sources a bird and drives to Stranraer with her Austra...